Members of the Class of 2025 Micaiah Landis, Adam Stoltzfus, Laura Benner, Hellena Gebremedhin, Lleyton Stutzman, and Rebecca Tezazu, guided by faculty mentor Stefano Colafranceschi, spent hundreds of hours during the past school year restoring and improving the Spitz A-4 planetarium projector at EMU’s Suter Science Center. The projector, originally installed in 1968 when the science center was built, has spent most of its time in storage since the M.T. Brackbill Planetarium closed in 2007. 

On Tuesday, April 29, the engineering team unveiled the product of their hard work with a planetarium show—the first in more than 15 years, according to Stutzman—attended by about two-dozen guests. Titled “Stars for a Night in Spring,” the show was adapted from a program first performed by former planetarium director John Horst ’60 and featured synthesizer music he composed. As the lights cut off inside the Discovery Room, the domed ceiling transformed into a sea of stars, while members of the team pointed out constellations and shared the legends behind them.

Guests included past and present STEM faculty, staff, and alumni with ties to the planetarium. Joan Horst ’66, who recalled watching shows there as a student, said she hadn’t seen one since her late husband, Professor Emeritus John Horst, retired nearly 20 years ago. “I’m amazed they were able to convert it from electronic to computer controls,” she said of the restoration project.

For Joe Mast ’64, longtime professor and planetarium director from 1986-2005, watching the stars and galaxies drift across the dome brought back memories of leading Sunday afternoon programs and teaching astronomy classes at EMU. “It was a very popular class,” he said. “We had 65 seats in here, and it ran every semester, with rarely more than four or five empty seats.”

A trio of alumni at the show had spent a semester in an engineering design class disassembling the projector to understand how it worked. One of those alumni, Andrew Troyer ’19, said, “It was cool to see someone take something you’ve done to the next level like this.”

History of the planetarium

In 1968, the Suter Science Center at EMU was completed, featuring the M.T. Brackbill Planetarium and a then-state-of-the-art Spitz A-4 star projector. At the time, the projector cost about $25,000, equivalent to roughly $230,000 today when adjusted for inflation.

The projector replaced the university’s Spitz A-1 model, which had been used at the Vesper Heights planetarium atop the EMU Hill since 1946. The original A-1 model is still on display in the Discovery Room. Both planetariums are said to have attracted annual crowds of up to 4,000 visitors, from astronomy students to local residents to nearby grade school students

When John Horst retired in 2007, EMU was left with no prospective astronomers on the faculty to continue the planetarium’s programming. And, the 40-year-old projector had mechanical problems that would have been costly to fix or replace. As a result, the planetarium closed and the projector was lowered into storage beneath the floor. The space was converted into a classroom for workshops and a display area for large specimens, such as the giant Kodiak brown bear that stood guard above the projector in the center of the room. After renovations to the science center, the projector was brought back out and placed on a pair of tables.

Resurrecting the projector

The six students on the team installed new motors, sensors, and a Raspberry Pi mini-computer to control the movement of the projector. The large panel of switches and dials that once operated the machine has been replaced with a web application that can be accessed wirelessly from any internet-connected device. Enter a location, date, and time into the app, and the projector can simulate the night sky as it would have appeared then and there. “We had some friends in here who were checking out the sky at the time they were born,” Benner said.

The students also designed, welded, and built a custom steel-and-wood base to support the projector and allow it to be stowed away when not in use. To darken the room, they sewed heavy-duty blackout curtains to cover the many surrounding windows.

During the restoration, the xenon bulb inside the projector’s star ball broke, and students scrambled to find a replacement, eventually swapping it out for an LED bulb. In total, the team spent about $2,400 on the project.

Members of the team said their goal for the project was not only to bring the projector back to life but also to make it more accessible and user-friendly. “It’s very easy to use,” Stutzman said during a presentation at EMU’s ACE Festival on April 17. “You don’t have to know anything about astronomy.”

By documenting their work, they said future students will have a clear understanding of the projector’s inner workings and will be able to perform additional upgrades. For instance, a future engineering capstone project could focus on restoring the planet orrery, which projects five planets, the sun and Earth’s moon but is currently inoperable.

Professor Daniel King, director of EMU’s engineering program, said he had long kept the idea of revitalizing the planetarium in the back of his mind. When he saw the team of engineering students searching for a project, he proposed they take it on. He said there’s potential for future planetarium shows, open to community members of all ages. “I would love for that to happen,” King said.

Read more about the history of the EMU planetarium below:

Over a 44-year career at Eastern Mennonite College and then ��ݮ����, Horst gained a reputation as a “dedicated and valued colleague in the Science Center” with an excellent knowledge of his field, said Professor Emeritus Joseph Mast ’64.

Equally known for his deft expertise in wider subjects, Horst was a “Rennaissance man,” Mast said. 

“As a faculty member able to teach courses across a wide range of disciplines, John was an invaluable asset to EMU,” said Professor Emeritus Millard Showalter ’62. “Without a doubt, John L. Horst will be remembered as a ‘Man for all Seasons.’”  

Horst’s wide-ranging intellectual interests — from physics and mathematics to music and history — challenged, amazed and entertained in many venues, from classrooms to faculty lounges and in later years, at Sabbath evening Bible studies and other events at Virginia Mennonite Retirement Community. 

In later years, he shared his love of music as the host of WEMC’s “Mostly Mennonite, Mostly A Capella” and in compiling and writing liner notes for nine CDs from the “Mennonite Hour” music archives.

Horst also contributed to the conceptualization of pictorial histories in prominent locations that have served to educate campus visitors, and regular denizens, too. (An athlete throughout his life, Horst appears in one photo, wearing No. 77 on the Smith Literary Society basketball team.) Take a tour with John in this article.

“I am forever grateful for his initiative and leadership in the creation of the athletic history display on the first floor of the Commons, which would not have happened if he had not brought the idea and did most of the research,” said Director of Athletics Dave King ’76, who also has vivid memories of sitting in an interdisciplinary studies course (better known as IDS) as an undergraduate and watching Horst’s visible delight as he taught about baroque music. 

In retirement, Horst and his wife, Joan Graybill ’66, lived adjacent to EMU. He was an almost daily presence on campus, where he’d power walk and do wall push-ups in the University Commons (at certain times of the morning, one knew to take a wide turn around the corners), then stop by the Athletic Department (and other places, too) for a visit. King says he’ll miss those chats, as will many of us.

Park View Mennonite Church will host a live-streamed memorial service Saturday, Sept. 26, at 2  p.m. Visit for the link. His family will be present but the service will not be open to the public.

Horst is survived by his wife, Joan; his son, Michael Horst and wife, Stephanie, of Dover, Pa.; daughter Grete Horst Johnson and husband, Christopher, of Newport News; five grandchildren, Caleb, Luke and Daniel Horst, Emily and Sarah Johnson; and by a sister, Rachel Witmer and husband, James, of Alliance, Ohio.

Memorial contributions may be made to the Valley Brethren and Mennonite Heritage Center, PO Box 1653, Harrisonburg, VA 22803 or to WEMC FM radio station, 1200 Park Road, Harrisonburg, VA 22802.

Memories and condolences shared below in the comments will appear publicly. They will also be shared with the family. 

***

Born in Connellsville, Pa., to the late John L. Sr. and Emma Zimmerman Horst, John Horst Jr. grew up in Scottdale. His lifelong love of music began early: at Scottdale High School, he sang in a male quartet that reached state-level competition. Horst’s reputation as a vocalist preceded him: Wilmer Lehman ’57, who is four years older than John, remembers attending Music Week at Laurelville and hearing J. Mark Stauffer ’38, who led EMC’s choirs, “rave” about the teenager’s wonderful deep bass voice. The two would meet again at EMC in 1956, when Lehman was a senior and Horst a freshman — and then become colleagues. Lehman, professor emeritus of mathematics, retired in 2000.

At EMC, Horst earned a degree in mathematics and music. He then completed graduate work in physics education at the University of Virginia, as well as additional graduate work in music. He taught at Eastern Mennonite High School for three years and then moved to the college, where he spent 37 years as an associate professor of physics and mathematics. Among other responsibilities, he was the planetarium’s director. [Read more about the Astral Society and the planetarium.]

He was passionate about teaching. EMU records capture a few examples of his professional development activities. In 1969, he was selected to participate in a National Science Foundation (NSF)-funded six-week summer institute for professors teaching nuclear physics at Vanderbilt University. The next summer, he represented EMC among 19 colleges and universities at a selective summer institute focused on making physics courses meaningful to non-physics majors. Three weekend conferences were also part of the commitment; in return, Horst secured a $1,000 NSF grant for laboratory equipment.

Showalter remembers that Horst developed and often taught a special course for biology and business majors who needed to take physics but were lacking in “the knowledge of the essential concepts of differential and integral calculus, concepts which are very helpful in the study of physics,” Showalter said. “His class, titled ‘Elements of Calculus,’ aimed to “dispel the phobia of calculus as an ‘impossible’ course.” 

Roman J. Miller’s first memory of Horst is one of gracious hospitality. The new faculty member arrived to teach at EMC in the summer of 1985 with plans to stay in an inexpensive hotel room as he located a more permanent residence. Horst offered him use of his family’s summer cabin out in the county.

“In our trans-departmental discussions and debates in the faculty lounge over the years, I was often stimulated by John Horst’s broad interests in life far beyond physics and math, which he very capably taught,” said Miller, who after retiring in 2016 as emeritus professor of biology, often saw Horst at VMRC events. “His love of music and reflections on a wide range of historic and religious happenings enlarged my world.  I appreciated so much his warm friendship and his openness to conversation about the state of the world.”

Horst’s love of learning, teaching and science was present in the classroom even after retirement.  “A few times, John was a substitute teacher in my physics classes and I keenly remember that he was fond of examples over lectures,” said Braydon Hoover ‘11, director of development and annual giving. “No matter how often he conducted a physics experiment, his face would light up like he was an undergrad experiencing it for the first time, himself.”

Hoover also remembers singing next to Horst and his clear joy in sharing music together at the doctoral defense of Ben Bergey ‘11 (now a music professor at EMU).  

Throughout his life, Horst was a vocal performer and composer. He also composed works for piano, synthesizer and carillon. At Park View Mennnonite Church, where he was a member for nearly 55 years, Horst sang in the choir. He also sang in the Mennonite Hour Men’s Quartet for seven years; in the Men’s Chorus and Mixed Chorus in the 50’s and 60’s; and with several community choirs, most recently the Valley Collegium Musicum. 

Around EMU’s Centennial year, Horst worked on a compilation  CD of EMC/EMU’s greatest choral and orchestral hits. Members of EMU’s marketing and communication department fondly remember his visits to the Anderson House office during those months, when he would work his way around to each and every desk, greeting everyone, sharing ideas for articles about campus history, handing over type-written or hand-written remembrances or attending to various to-do items related to the CD. 

With thanks to Wilmer Lehman, Joe Mast, Roman Miller and Millard Showalter for sharing memories and stories. You are most welcome to do the same in the comment box below. We’ll make sure they are passed along to his family.

For arts more broadly, until the late 20th century, many North American Mennonites limited the arts to purposes of functionality, as in hand-crafted quilts for beds or pottery to contain foodstuffs, or education, as in artistic creations with explicitly Christian themes.

As early as the 1920s some tentative steps were taken towards permitting visual and performing arts on campus, but that tension was not fully resolved until the 1970s. (This approximation is a venture based on this timeline, but perhaps alumni of that era may provide other evidence to the contrary.)

During mid-1960s through the 1970s – encompassing 15 years of great social change within Eastern Mennonite College and beyond – president and theologian Myron Augsburger BA ’55, BTh ’58, guided the institution from insularity into full acceptance of activities that undergird a liberal arts college, including art, instrumental music, drama and intercollegiate athletics.

Now at EMU, students learn to study and use art transform the world, discover purpose, deepen faith, reach across generations and enter into healing spaces.

This timeline of the arts at Eastern Mennonite was created by Randi B. Hagi ’15 and editor Lauren Jefferson. It was reviewed by professors Jerry Holsopple, John Fast, Joan Griffing, John Horst, Heidi Winters Vogel, Stephen Sachs and Barbra Graber, as well as by Gretchen Maust ’73.

We welcome additions or comments. Please use the comment box at the end of this article.

***

1913

The first constitution specifies that was to be taught, and no instruments were permitted.

1918

Noah D. Showalter joins the faculty as the first music teacher. He has a certificate from the American Normal School of Music in Harrisonburg, and had studied voice under renowned teacher J.D. Brunk.

1920

Students form music groups for entertainment: duets, quartets, choruses, trios, octets and double mixed quartets.

1921

Commencement includes music.

1922

The first president, J. B. Smith, resigns because he has a piano in his home, which his oldest daughter plays. (Instrumental music was officially banned from Mennonite churches.) The Smith family returns to Ohio. He was replaced by A.D. Wenger, whose wife Anna May Wenger then gave up her pump organ in support, although she was later chastised for subsequently playing at someone else’s home.

C.K. Lehman directs “The Holy City” at commencement, which becomes an annual performance until 1970.

1923

The first issue of the Eastern Mennonite School Journal is published, as well as the first annual.

1924

A faculty quartet is formed. Seniors were allowed individual photos in the school annual.

1927

Virginia Conference forbids bishops, ministers and deacons from possessing musical instruments and urges all members to do the same. (This is rescinded in 1947).

“Any instrument playing rag-time music had to be deposited with the business manager or sent home,” says the student handbook.

The first visual art classes are taught at the high school level by a home economics teacher.

1930

The “X-Hall” or “Guild,” a small building behind Northlawn Residence Hall, is built as an exercise hall, but is eventually used as a . It is now a storage space.

More than 70 percent of the student body (148 at the time) belonged to one of three campus choruses, which sang only hymns and only a capella (without instrumental accompaniment).

1937

The Mixed Choir makes the first tour to Johnstown, Pennsylvania.

1939

Mark Stauffer ’35, Juilliard-trained and a Madison College graduate, is the first full-time music instructor and first faculty member with a music degree. He expands offerings beyond the previously offered two courses, to appreciation, voice, introduction to music, history of music, church music, theory and choral conducting. Stauffer will lead choirs through the ’60s.

The Christmas Cantata, first offered by faculty as a gift to students, becomes a tradition.

The Weather Vane newspaper begins as a one-page mimeograph, growing to a two-page pamphlet by its third issue.

1943

Lehman Chapel is built as an all-purpose space for chapel, music and theater, among other activities.

1944

becomes the first art professor. She also teaches physical education until her retirement in 1987, but then continued teaching a watercolor class until 1996.

Skits are allowed but must be “purposeful rather than merely entertaining.” Costuming is not allowed, but draping (wearing of clothes over regular attire) is.

1945

The Shenandoah annual is established.

1947

A second touring choir is formed by 24 members of the mixed chorus. They visit Ontario churches.

The original farmer’s cottage, located near the current seminary building, is converted to EMC’s first art building.

1948

The faculty council expresses mixed concerns, but not consensus, about student attendance at opera and Shakespeare productions.

Guitars, phonographs and other instruments are allowed to be played in the recreation room in the basement of Northlawn Residence Hall.

Earl M. Maust joins the faculty. He teaches until his death in 1969.

1949

A faculty committee recommends allowing the use of motion pictures for teaching.

1952

The record player for instructional purposes is allowed.

1954

WEMC begins, with singing and spoken broadcasts. No instrumental music recordings are allowed. .

1955

The faculty adopt a statement about dramatics that limits productions to less than full performances, with costuming and props kept to a minimum.

1956

The merge, and the Weather Vane changes to a newspaper format, including halftone photographs.

1958

The Phoenix, EMU’s literary and visual arts journal, is founded by Professor��I.B. Horst ’39. Literature professor J. Herbert Martin ’59 serves as its first editor.

1959

Films are shown once a month for entertainment purposes in the assembly room.

1960

The first full-length theater production, sponsored by the Smithsonian literary society, is The Diary of Anne Frank.

A Festival of Fine Arts features plays, lectures on the arts, art displays and musical presentations.

1961

The Windsock, the Eastern Mennonite High School newspaper, separates from the Weather Vane. The first are run in the Weather Vane.

1962

A piano is permitted in the music department for “technical studies.”

Instrumental music is no longer banned on college radio broadcasts.

A piano is accepted as an alumni gift for the student lounge.

1963

The Piranha, the first underground student newspaper, forms in the face of administration censorship of the Weather Vane. Censorship was dropped the following year, and the Piranha died with it.

1965

A small student instrumental group forms, which soon grows to an orchestra led by music professor Ira Zook.

1968

The new opens, and with that, the largest classroom on campus is used as a recital hall, theater, and general performance space.

Faye Garber Yoder graduates as EMC’s first piano concentration under the music major.

1970

“Rebirth,” a student group, releases their first album after first playing together during the 1969 Miracle Fund Drive for the new Hartzler Library. The group eventually went on two tours and in 2016, released a third and final album. Read more .

The Board of Trustees approves the commission of painted portraits of the five college presidents, to be placed in the new Hartzler Library. This building is dedicated in October 1971, with the portraits, painted by Oliver Schenk, hanging in the second floor “President’s Room.”

1972

graduates as the first art major, earning a degree in secondary art education. The current art building is named after her, and her sculptures can be found around campus, such as the Love Essence white figures by the seminary. She founds the EMHS arts program, which she runs until 1980.

1976

Lehman Chapel is for essentially the first time, becoming EMC’s first performing arts auditorium, with sound equipment, side stage exits, dressing rooms, and a rehearsal hall.

1981

Barbra R. Graber ’76 becomes the first theater professor (specifically, assistant instructor in drama)

1981

The EMU JAZZ, a big band ensemble, and Swing Sisters, a female vocal ensemble, begin under the direction of Professor Stephen Sachs.

1983

“Basileas” forms, an eight-member traveling drama and music group which performs in Michigan, Ohio and Pennsylvania church and schools.

Also in 1983, a cast of eight actors in “Storm: An Improvisation on the Theme of the Sexes” bring in poetry, monologues, sketches and skits, scenes from larger plays, even cartoons that are then woven together into an original show that introduces the larger culture’s discussion of feminist ideas through humor and improvisation. “It was quite an undertaking!” Barbra Graber remembers. “The audiences were enthusiastic. Sociology professor John Eby and his wife pulled me aside after the show to say, ‘We wish we had seen this show about 20 years ago!'”

1985

Bradley Swope graduates as the first organ major.

1986

The Weather Vane switches to desktop computer publishing.

1991

Working with Ted Swartz ’89, M.Div ’92, Professor Barbra Graber ’76 co-founds and directs AKIMBO, an award-winning community-based professional theater with Mennonite themes and participants. The group continues until 1998. Members included Lee Eshleman ’86, Suzanne Kiblinger ’91 Kratz, Jeremy Frey ’92, Pamela Frey ’92, Rose Stauffer ’85, Ingrid DeSanctis ’88, Duane Sider, Nancy Good and Joy McIlvaine ’88.

1992

The , a week-long summer music festival, begins.

AKIMBO is commissioned to create the 75th anniversary theater production. Barbra Graber, Ted Swartz and Duane Sider collaborate�� in the playwriting.

Also in 1992, “HomecomingHome,” a collaboration of Kenneth J. Nafziger and Barbra Graber, presents dramatic and musical segments “on the theme of coming home��to the Body, as sacred temple;��to the Earth, where all things are connected;��to the Family, with the tragedy of abuse and dysfunction as well as the joy of togetherness;��and to Death, our natural place of rest.”

1996

“Drippings of the Honeycomb” is a theatrical multi-media performance based on portions of the Psalms and Proverbs. Barbra Graber says of this production that she may have never experienced “a more profound creative experience. We would begin each rehearsal going into quiet prayer and guided meditation on the chosen Psalm or Proverb. Then we would get up and begin to embody what came to us during the quiet time. It was truly profound. I had the distinct feeling that the text was somehow infusing us with creativity.”

1998

The first digital media classes are taught by Jerry Holsopple, then a part-time instructor.

2000

A communication major is created within the Language and Literature Department, with an emphasis on digital media. (The first full-time faculty member, in 2001, is Jerry Holsopple).

2002

Previously housed under the expansive Language and Literature Department, communication and theater become autonomous departments, moving along with art into the newly renovated University Commons office suite.

2003

Professor Ken J. Nafziger leads the along with Ysaye Maria Barnwell, a member of the renowned gospel group Sweet Honey in the Rock. From 1999 to 2003, when President Bill Clinton opened the doors to Cuba through education-centered travel permits, Nafziger made 11 music-centered trips.

2004

The jazz band plays its final season.

2006

Digital media and photography majors are added. The Visual and Communication Arts Department, known popularly as VACA, is the result of a merger between the communication department and the art department.

2007

WMRA picks up the WEMC broadcast, retaining Mostly Mennonite, Mostly A Cappella, hosted by emeritus professor John Horst, from 8-9:30 a.m. Sundays (encore at 8 p.m. Wednesdays). Also retained is the Park View Mennonite Church worship services, from 9:30-10:30 a.m. 91.7 FM and online at.

2008

Theater professor Heidi Winters Vogel and student Pam Mandigo ’08 found , a summer high school theater workshop. This program is supported by Arts Council of the Valley and EMU with students from area high schools.

2009

Professor Cyndi Gusler introduces to EMU. The biannual Mennonite Church convention begins featuring the show.

2009-2010

Renovations in the older part of the University Commons create two new theater spaces, a new digital media lab and the Margaret Martin Gehman Gallery.

2010

Into the Window is the first exhibition in the new Margaret Martin Gehman Gallery, featuring icons painted by Jerry Holsopple during his year in Lithuania as a Fulbright Scholar.

Phase II construction of the University Commons is completed, including the renovated 200-seat MainStage Theater, the relocated Lee Eshleman Studio Theater, the new Margaret Martin Gehman Art Gallery and the new Kenneth A. Longacre Sr. Advanced Media Lab. The facility is in the spring of 2011.

2011

The Bus Stop by Chinese Nobel Laureate dramatist Gao Xingjian inaugurates the new . ��This production was directed by Heidi Winters Vogel and featured original music by Frances Miller.

The new Studio Theater space is to actor Lee Eshelman ’86, who also worked in the EMU print shop and as a graphic designer.

2011

Theater professor Heidi Winters Vogel co-founds the “Inside Out Playback Theatre” group, which employs a form of improvisational drama based on audience storytelling, after participating in informal Summer Peacebuilding Institute workshops led by .

2013

by playwright and immigration lawyer Kara Hartzler ’94, directed by Heidi Winters Vogel, is invited to the Mennonite National Convention in Phoenix, Arizona.

Visual and Communication Arts Department merges with the Theater Department.

2015

Emulate, a touring ensemble, forms under the direction of Professor Ryan Keebaugh.

Jonathan Drescher-Lehman ’15 is the first EMU student to win entrance into the prestigious North American Nature Photography Association College Scholars program. He produces a , with other scholarship recipients and professionals, about the San Diego Bay National Wildlife Refuge.

2016

Professor Justin Poole and his wife, Amanda, lead the first in Central Europe. The group of 22 students attended 35 plays, visited 38 theaters, and produced their own dramatic piece about the different stages of cultural integration.

Professor Steven David Johnson’s conservation photography course is one of two in the United States highlighted by ; the other is taught at Stanford University.

2017

Jazz band with the help of student saxophonist Harrison Horst ’17 and director Greg Curry.

Macson McGuigan ’17 is the to win entrance into the prestigious North American Nature Photography Association College Scholars program. He produces a film, with other scholarship recipients and professionals, about a proposed Florida wildlife corridor.

“,” a 400-ton sculpture by Esther Augsburger ’72 and son Michael ’80, is mounted at EMU after years of display in Washington D.C.

During Homecoming and Family Weekend, Ingrid De Sanctis ‘88 and Ted Swartz ’89, MACL ’92, are joined by alumni actors to debut��What we bring. What we take. What we leave.

The 10 x 10 x 100 , curated by Ashley Sauder Miller ’03, features six prominent alumni artists and their 100 works measuring 10 inches x 10 inches. A percentage of the sales will be donated to the EMU arts program.

��

In the past, the planetarium drew annual crowds upwards of 4,000 people – from astronomy students to local residents to nearby grade school students. The directors were as much a draw as the fantastic equipment. From its beginning in 1946 to its closing in 2007, it was led by a rotating array of directors:

• Maurice Thaddeus Brackbill, 1946 – 1956;

• Robert C. Lehman, 1956 – 1958;
• John Hershey, 1958 – 1960;
• John Horst, 1960 – 1962;
• Lehman, 1962 – 1979;
• Horst, 1979 – 1986;
• Joseph Mast, 1986 – 2005;
• Horst, 2005 – 2007.

But the roots of the planetarium run even deeper, hailing back to a group of students and Professor Brackbill, circa 1930, on the roof of the Administration Building. Brackbill, who had a master’s degree in astronomy, was a science, math and English professor, registrar, dorm hall manager, chorister and athletic association president during his decades of service to EMC – from the school’s founding in 1917 to his retirement in 1956.

In the early thirties, he founded the Astral Society – a group of students who gathered on top of the Ad Building to watch the stars. An “Astralite” was a member who could name all the constellations and 90 stars.

New observatory contains state-of-the-art projector

The Astral Society, along with the class of 1938, raised funds to build the Vesper Heights Observatory on top of “The Hill” (the white-domed, cylindrical building still exists adjacent to the Discipleship Center).

Brackbill called the observatory, equipped with a six-inch refracting telescope, an “enviable little sky port where the star rays land and you take off.” However, the metal dome did not open or pivot easily, and the space was converted into a 22-seat planetarium in 1946. The telescope was moved outside.

At that time, planetarium projectors were rarely found outside of metropolitan areas. Brackbill’s friend, Armand N. Spitz, set out to change that. He created the Spitz A-1 star projector, a hand-cranked device with twelve pentagonal sides for displaying stars on a domed ceiling. EMC received the very first Spitz A-1 created; Princeton bought the second.

Professor Emeritus John Horst and Ruby Lehman, wife of the late Professor Robert C. Lehman, both remember Brackbill’s creative nests of wires and devices.

“Brackbill was known for rigging up many special effects,” says Horst.

“It wouldn’t pass a fire code now!” Ruby says.

Ever inventive, Brackbill also created an “Astra Guide” for his wife, a rotating chart which reveals what is visible in the Northern Hemisphere sky on a given date. The chart and Spitz A-1 are both on display in the Science Center foyer.

1955: Astral Hall

In 1955, the Astral Hall was built. The terraced one-room building next to the observatory hosted astronomy lectures and Astral Society meetings. (It eventually became the WEMC studios.) In 1956, Brackbill retired, and Lehman was hired to take his place on faculty and as planetarium director.

Notably, Brackbill published The Heavens Declare (Moody Bible Institude of Chicago) in 1959, a book of religious and philosophical musings, humor, and astronomy facts. (EMU’s Historical Library has a non-circulating copy.)

Spitz, his friend who created the star projector, wrote the introduction, naming Brackbill as “a quiet, unassuming individual, in a quiet, unassuming college, representing a quiet, unassuming faith, in a quiet, unassuming community. Yet his influence has spread throughout the years.”

After assuming directorship, Lehman used the Vesper Heights vantage point to sight the Soviet satellite Sputnik in 1957. With 11 students and faculty dressed in surplus navy coats against the cold, they took shifts looking into a row of monocular stations lined up along the north-south meridian. Their lenses were tilted at various angles to provide a certain altitude and longitude reading when the satellite came into view. EMC radioed in the second observational fix in the U.S., part of a large network of sightings used to establish Sputnik’s orbital track.

Lehman took two breaks from directing the planetarium to finish his master’s and doctoral degrees in biophysics at Penn State, during which John Hershey and John Horst acted as interim directors.

Brackbill Planetarium

In 1968, the Suter Science Center was completed. Lehman was a major contributor to the design, according to Horst.

The new building included the Brackbill Planetarium, which could seat 80 people, and a more accurate, spherical Spitz A-4 star projector. Tiny holes in the metal sheeting on the inner dome surface “gave you more of a starlight feel,” says Horst.

Lehman had many assistants – physics majors helped give presentations, his son Jim helped install equipment, and the D. Ralph Hostetter Natural History Museum helped attract patrons. In the 1980s, Marijke Kyler, a professor in the Literature and Language department, assisted with school group programs.

Joe Mast, “a very competent professional astronomer” according to Horst, took over the program in 1986, continuing to bring in thousands of children and adults to learn about the stars. In 2003, he installed a new 10-inch digital Meade telescope in the Vesper Heights observatory.

John Horst took over the planetarium in 2005 when Mast retired, adding “some meditative cosmic space music” which he performed on a synthesizer to welcome visitors before the presentations.

By 2007, the 40-year-old Spitz A-4 projector had mechanical problems that would have been costly to fix or replace. Besides, Horst was retiring, with no prospective astronomers on the faculty to continue the programming. The planetarium closed. Horst, Mast and Lehman gathered at a farewell reception to tell stories from their decades as Mennonite ambassadors to the heavens.

Discovery Room

The site of the former planetarium continued as a popular learning destination for thousands of school age children and other visitors. Professor Jim Yoder, director of the D. Ralph Hostetter Natural History Museum, proposed that the planetarium become a Discovery Room.

In 2008, the auditorium seating was replaced with carpet, tables and chairs; the star projector was lowered into storage, and fossils, rocks, animal skins and aquariums took center stage. On the platform over the top the star projector, a taxidermied Alaskan Kodiak bear roars, courtesy of head softball coach J.D. McCurdy.

Science center renovations beginning in 2015 required the natural history museum’s main room to be emptied. The Discovery Room became museum storage, and currently hold��more than 2,800 specimens.

The space will be updated in the course of Suter West renovations, with the iconic dome and cylinder remaining.

Click here to learn more about the museum .

Walking around the ��ݮ���� campus with Horst is like walking through the pages of a yearbook. He knows every nook and cranny, important moments, the stories, and the stories behind the stories.

This is not surprising, since Horst spent more than 40 years on campus: four as a student, three as a teacher at Eastern Mennonite High School, and 37 as a physics, mathematics and interdisciplinary studies professor. He was also planetarium director. Those 37 years were interrupted only by a four-year stint to complete his graduate studies at the University of Virginia. Even now, in retirement as faculty emeritus, he and his wife, Joan, live across the street from the campus.

Horst enjoys talking about the school’s history, but he has a particular passion for showing it. He has helped to create several panels, on display at four campus locations, each one giving a glimpse into EMU’s history.

“I call it history on a wall instead of history in a book,” he says. “For a nice panel, you must have something interesting to see, and then you go from there.”

Athletics history

A set of four panels in the University Commons, for example, provides a history of EMU’s athletics program from 1917 to 1977—from competing “literary societies” to the start of varsity teams and the days when EMC teams were known as the Courtiers to big basketball matchups against much larger crosstown rival James Madison University.

Photos show students doing “physical fitness” by helping to build a wing of the Administration Building and another historic gem: Ernest G. Gehman pole-vaulting in front of the Ad Building in 1922*.

Horst points at one particular photo and smiles.

“That’s me there, No. 77.” After a pause, he adds, “I could jump at that time.”

Athletics director Dave King commissioned the display to celebrate the first 60 years of athletics at EMU. Horst wrote the text and gathered photos for the panels and worked with designers and others on campus to bring the display to life.

The ‘Ad Building’ fire and Anna Mary Frey

He did similar work for the Anna Mary Frey Memorial Garden adjacent to the south corner of the Administration Building. This display is tucked into a corner bounded by part of the wall of the original Administration Building, which burned in 1984 and was replaced.

One panel is about Frey, a 1951 graduate who taught in a number of church schools before coming to EMC in 1967. A popular teacher, she taught English for more than 16 years until her death by a stroke at the end of the spring semester in 1983.

Another shares some history of the Administration Building itself, including the fire. One photo shows M.T. Brackbill’s chaotic physics classroom, located in the original building, where Horst vividly remembers taking a class.

“M.T. Brackbill was the original astronomer (at EMU),” Horst recalls. “He was one of a kind. He would just rig up everything.”

Horst laments that the sun and dust and other weather take their toll on the outdoor panels, which periodically need cleaning, but he likes the location. The garden is framed with a sculpture by Jerry Lapp, former associate professor of art, which combines pipes, I-beams and a library window salvaged from the original Administration Building. The panel says the sculpture, titled “Reader’s Guide to an Open Window,” is “a monument to destruction and resurrection.”

Horst says he enjoys sitting within the sculpture, resting on a horizontal I-beam.

“It gives the feel like you’re sitting in a cathedral,” he says.

Hartzler Library’s ‘raising’

Down the hill a short walk away in Hartzler Library, two panels in the lobby describe the “miraculous fund drive” of 1970 that enabled construction of the new library. The “Unity Bell” that rang during the fundraising and other documents and artifacts can be seen in a display case between the two panels. The display was created by a committee formed to mark the 40^th anniversary of the fund drive in 2009.

“There are so many interesting things,” Horst says, pointing out a wooden gavel used during the drive. “We were trying to get some interesting stories.”

The Suter Science Center, where Horst once taught physics, mathematics and interdisciplinary studies humanities, contains Horst’s fourth history project. A panel near the main entrance provides some history of EMU’s former M.T. Brackbill Planetarium, which Horst once oversaw. He says it contained one of the original Spitz planetarium projection systems.

On the lower level, a wall displays a rare and colorful old physics chart from the 1930s—a “valuable artifact,” Horst says. He found it in storage and repaired and restored it in 2008 with help from local craftsman Raymond Shank, who also framed it. Horst wrote a small narrative about the chart, which shows the electromagnetic spectrum and explains all manner of visible and invisible light waves.

“There’s never been a chart quite like this,” Horst says. “And I think Brackbill bought it for $10 back in the late ‘30s.”

That’s an appropriate place to end the tour, because when Horst isn’t creating panels, he uses some of those waves—radio waves—to share another sort of history. An avid musician and singer, he hosts the show “Mostly Mennonite, Mostly A Cappella” Sunday morning from 8-9:30 a.m. with an encore Wednesday evenings at 8 p.m. on WEMC 91.7.

New programming will include weeknight showcases of live recordings by well-known orchestras, including ones in Chicago, Pittsburgh and New York. On Saturday afternoons, the station will also air a classical music program, “,” hosted in both English and Spanish and focusing on Latin American composers. The full new schedule is available .

Classical music during the weeknights will replace the evening jazz shows on WEMC. With the changes, the station will also drop its news programs from and the (these can still be accessed via the Internet).

Station manager Al Bartholet said listener surveys showed that classical music was the overwhelming reason that people have been tuning in to the station. Adding more classical music programming will give WEMC’s audience more of the music it enjoys and help the station form a more coherent identity – an important part of keeping and growing a radio audience, he added.

WEMC will continue its Sunday morning broadcasts of services at , and will add a encore broadcast (Wednesdays at 8 p.m.) of “,” a 90-minute music show hosted by EMU professor emeritus John Horst.

“It is probably the most popular program on WEMC. It’s the ‘Car Talk’ of WEMC,” said program manager Matt Bingay. “If you’ve got a hit on your hands, get more mileage out of it. Repeat it. Give people another opportunity.”

Horst, who began recording episodes of his show more than a decade ago, said it was “nice to get the affirmation” about his show. He acknowledged that it’s getting harder to find new material – there are only so many Mennonite acappella recordings out there – but continues to follow up on suggestions from listeners and friends, and rummage at places like for rarities. He also often receives copies of new recordings of groups and Mennonite colleges and elsewhere, and plans to continue creating new episodes as often as he can.

Founded in 1955 as a gift from the class of 1954, WEMC is the oldest public radio station in Virginia. From its transmission tower on the crest of the hill west of EMU, WEMC’s signal can reach up to 88,000 people who live within a 25-mile radius of the university. By the end of the year, the station’s aging transmitter will be replaced with a new one to ensure more reliable service.

WEMC is also streamed online, and through a new smartphone or tablet . In 2007, James Madison University’s radio station and Harrisonburg’s National Public Radio affiliate, WMRA-90.7 FM, assumed management of WEMC, with the concurrence and ongoing input of EMU officials.

“We’re pleased with the ongoing partnership between EMU and JMU to manage public radio offerings for the region,” said , EMU director of and a member of the WEMC advisory group. “WEMC is a gem that we want to preserve. Changing technologies and limited resources made that unfeasible for EMU alone. With the stations’ financial stability and growing listenership through careful program planning, the future of Harrisonburg’s two public radio stations looks secure.”

And when, a decade later, that cornfield on the east side of campus sprouted a science building, capped with a prominent white dome to accommodate a then-state-of-the-art planetarium, those chemicals were carted down to the new laboratory supply closets, in the characteristic spirit of Mennonite thrift.

And when, many years later, Spicher returned to EMU to work as the chemical hygiene officer, he began a process of general inventory and cleanup of the no-longer-new laboratory supply closets, cluttered over the years by Mennonite thrift and other forces of entropy. And it was then with a sense of nostalgia that Spicher discovered some of those very bottles procured 50 years earlier when Spicher was an undergrad, and the Suter Science Center (where the bottles had sat just-in-case, like twist-ties in the kitchen drawer) was still a cornfield.

But it was alarm, not nostalgia, that arose when Spicher came across an old bottle of picric acid – a chemical useful for staining tissue when diluted with sufficient water concentration. When insufficiently diluted, however, picric acid forms explosive crystals. (A close chemical relative to TNT, picric acid played a major role in artillery science through World War I.) Spicher backed away, well aware that uncorking a crystallized bottle of old picric acid could cost him his fingers, or more. Mennonite thrift in the Suter Science Center had taken a potentially treacherous turn.

A Northern Virginia bomb squad was called in. The fire department sent personnel for some explosives training. A hole was dug behind the science center, a fuse was lit, and the picric acid bomb, unwittingly improvised in the chemical closet, was disarmed. In the end, says Spicher, the bang was small, but it pays to be careful with the stuff.

UNDERCOVER POET
Daniel B. Suter ’40, for whom the science center was named, joined the science faculty at what was then Eastern Mennonite College (EMC) in 1948. By the time the new building opened 20 years later, his students in the program enjoyed medical school acceptance rates far above the national average. So valuable was Suter’s recommendation that, according to faculty legend, a medical school candidate who had never even attended EMU tried to finagle a letter from Suter.

Suter’s office was in the science center basement, adjacent to the secretary’s office and the lunchroom, where the faculty regularly ate together while skimming the newspapers, telling jokes, chattering and generally enjoying one another’s company. For years, on their birthdays, personalized poems would appear on the lunch table, written by a mysterious poet who published under Salvelinus fontinalis (“Brook trout” in the jargon of scientists).

From a poem on the 64th birthday of Wilmer Lehman ’57, who joined the mathematics faculty in 1959:

Forty years teaching
Is that what he said
How many functions
Are left in his head?

A teacher of Math
And The Liberal Arts
With much dedication
Gave his students some smarts.

Eventually, it came out that Salvelinus fontinalis was the pen name of Bob Yoder ’57, an enthusiastic fisher of S. fontinalis. Yoder, who taught in the biology department for more than 30 years, was the resident jokester of the science center lunch bunch; upon his death in 2005, a volume of his collected poems was distributed to his colleagues.

WOMEN NEED RESTROOMS TOO!
The Suter Science Center reflected its day and age when it opened in 1968. Science was mostly a man’s world then. There were no women on the permanent science faculty, and the college didn’t bother to put in a women’s restroom on the downstairs level; the secretary (always a woman, in those days) and female students had to go upstairs. Before long, agitation against the basic unfairness of this situation began and EMU kept pace with the changing world around it by establishing restroom equality throughout the building.

Because energy was cheap back when the building was built, insulation wasn’t much of a priority. When Lehman began to notice light streaming in large gaps that had opened up between the window frames and the block walls in his math classroom, physical plant staff came over to work at some retroactive solution. Still, the classrooms were a nice improvement over the “E Building,” a former egg processing plant on the south side of Mount Clinton Pike that housed the math department before the science center was built.

Over his four decades of teaching, Lehman taught just about every class that was offered by EMU. One of the memories that stands out was the time a student answered a test question with an unexplained Bible reference. Lehman was tickled when he looked up Psalm 139:6 – Such knowledge is too wonderful for me, too lofty for me to attain.

Another long-time mathematics professor, Millard Showalter ’62 loved to encourage creative approaches to problem solving, and thus, routinely offered his Math in the Liberal Arts students an alternative and deceptively simple-sounding way to earn an A in the class: fold an 8 ½ x 11 sheet of paper in half eight times. The challenge was a fun illustration of exponents; making that eighth crease was like trying to fold 256 sheets of paper at once.

RESOURCEFUL GALEN LEHMAN
For years, Showalter’s students tried and failed, until Galen Lehman ’73 marched triumphantly into class one morning, with a look in his eyes that told Showalter his game was up. It had been easy, really. Lehman was supporting his college habit with a job at the Kreider Machine Shop over the hill from campus, where he had access to a 200-ton hydraulic machine press entirely capable of folding 256 sheets of paper.

Lehman also earned an A honestly in the class and went on to become Dr. Galen Lehman, chair of the EMU department and the longest-serving member of today’s faculty. When Lehman joined the faculty, the department was inconveniently housed on the fringes of campus in the same E building that the mathematics folks had previously escaped. Looking for a more respectable location, Lehman settled on an unfinished, dirt-floored crawl space beneath the science center’s planetarium that had been presciently excavated to someday accommodate this very sort of future growth.

Around 1980, Lehman spearheaded the renovation of the space into what still serves as the psychology department. He personally poured the concrete floor, built a large table still in use in the seminar room, and, while breaking through a block wall to run some plumbing, discovered an empty whisky bottle in the wall cavity, likely hidden by a worker during the building’s original construction.

EARRING STUNTS & MORE WITH DEAD ANIMALS

But let’s return to Showalter’s paper-folding assignment. Outmaneuvered by Lehman and his machine press, Showalter learned a lesson that science center faculty have been learning over and over since the building opened: never underestimate the dedication and creativity undergraduates will apply to various capers, tricks and other antics. The famous “Head Room” – SC 104, its walls lined with the mounted heads of various mammals – has been the scene of repeated pranks, often involving the dandying-up of these animal heads with different eyewear, headwear, jewelry and other fashion accessories.

Some of the faculty found this amusing. D. Ralph Hostetter, a professor of biology from the very earliest days of the Eastern Mennonite School until his retirement in 1966, did not. After retiring from teaching, Hostetter curated the natural history museum, now housing more than 6,000 artifacts and specimens (and now bearing his name). With hardly any acquisitions budget to speak of, he paid for most of the stuffed heads out of his own pocket. A highly meticulous man, he simply didn’t find it funny to discover the dik-dik (a tiny African antelope) wearing glasses and earrings.

For years, the sheer size and weight of the 300-lb. American bison specimen on display at the Hostetter Museum of Natural History seemed sufficient to keep it in place in the science center, though this too was an underestimation of the undergraduate determination to prank. In 2007, a posse from Oakwood made off with the stuffed bison and attempted to hoist it up to the three-story residence hall’s roof. When things went awry mid-hoist, however, both the bison and a 19-year-old freshman fell from the roof. The student was airlifted to the University of Virginia medical center with a concussion and fractured hip.

The freshman healed and the bison was none the worse for the experience. Now he stands in his old position at the entrance to the science center on a thick concrete platform, anchored with tamper-resistant bolts.

MASKED PRANKSTERS
On another occasion, while lecturing in the Head Room, physics and mathematics professor John Horst ’60 raised one of the sliding blackboards to discover the one behind it had been covered by a high-resolution enlargement of a Playboy centerfold. After the class regained its composure, Horst made a mental note to check for sliding blackboard surprises thenceforth.

That was not the most memorable sliding blackboard surprise of his career, however. For years, Horst and several colleagues team-taught a general humanities class covering art, music and literature in history. The large classes were held in SC 106, the biggest classroom on campus; it also saw frequent use as a recital hall, theater and general performance space before other buildings specifically designed for those purposes were built.

Hidden all the way behind several layers of sliding blackboards in SC 106 was a chemical hood, a relatively large space where professors could safely demonstrate various experiments and reactions. For some time, Todd Weaver ’87 had been aware that the chemical hood could also be accessed from behind, through a storage room, and early in the second semester of his senior-year humanities class, he and a classmate “hatched a brilliant plan,” as he remembers it.

Wearing nothing but boxer shorts and monster masks, and armed with loaded super-soakers, Weaver and his accomplice climbed into the chemical hood from the storage room and waited for class to begin, hidden behind the blackboard. Horst was lecturing in front of the class when the two sprang into action. One by one, the sections of blackboard begin sliding up, eventually revealing the water gun bandits crammed in the chemical hood.

“We caused total chaos,” says Weaver, now a dentist active in EMU’s alumni association. They sprayed at least two of the professors in the room, and unloaded their super-soakers on their classmates as they fled up the auditorium’s two aisles. “The goal was to empty the water by the time we reached the back of SC 106 and sprint out the doors and run for the dorm,” says Weaver, who lived in Oakwood and therefore stands proudly in a long and distinguished tradition of campus mischief.

In what turned out to be a serious lapse of judgment, however, Weaver had let a few other friends in on the plan. And when Weaver and his accomplice reached the back of the room, their prank complete except for the get-away, they found the doors barred with two-by-fours.

“I will never forget Doug Geib ’87 with a big smile on his face unwilling to unbar the door. I was screaming [at him] to give in and let us out, but he only laughed,” Weaver remembers.

Language and literature professor Carroll D. Yoder ’62, one of Horst’s co-teachers in the room that morning, marched slowly up the steps and unmasked the pranksters, who could do nothing but stand with heads hanging, trapped with empty squirt guns at the back the room in their underwear. Ashamed, they walked back to Oakwood, changed clothes, and returned to catch the end of the humanities class. (Horst got one last hurrah. When Weaver approached Horst and asked humbly for one extra point to make a much-coveted “A” for the term, which was needed to maximize his chance of dental school admission, Horst made him squirm in his office for some long moments and then declared he would receive one more point in recognition of his “energetic class participation.”)

EXPERIMENTING, LIVING, BANKING IN THE CENTER
One damp Saturday morning an undergraduate chemistry major named Terry Jantzi ’87 was running an experiment that sent a bunch of sulfur dioxide through the lab hood. Normally it would have drifted off into the blue Virginia sky. But the cool, humid weather caused the sulfur dioxide to condense into a heavy fog that spread across the intramural soccer field – think “acid rain” recalls professor emeritus Glenn M. Kauffman, class of ’60, Janzti’s chemistry prof at the time. Folks at an auction near the dormitories thought the science center was on fire.

That same Terry Jantzi is now Dr. Jantzi, professor of practice associated with EMU’s peacebuilding and development program.

There was the time in 1976 that Millard Showalter’s Modern Geometry students got so jazzed about the non-Euclidian material he was teaching that they showed up to the final day of class wearing T-shirts that read “Millard’s Magnificent Mathematicians.” They arranged for a photo, and after class, went up to chapel and set together at the front, as proud as a bunch of athletes after winning a tournament.

Kauffman recalls his department colleague Gary L. Stucky putting money into a satellite dish on the science center roof in the early 1990s. This enabled him to watch concurrently three different TV channels late into the night in a prep room near SC-106, where he liked to pass his time outside of regular work hours. In the early 1990s, too, a dietetics program headed by Janet Harder ’73 moved into the science center and she also spent long hours at the workplace. By the late 1990s, Stucky and Harder were married, re-settling in his home state of Kansas.

The Park View Federal Credit Union began in 1969, in the Suter Science Center offices of professors Robert Lehman ’50 (physical sciences) and Joe Mast ‘64 (math and computer science), offering financial services to members in the days before easy access to credit. Many of their science center colleagues were the very earliest members. John Horst still has a single-digit account number at the credit union, and says that the credit union’s assets were said to be approaching $1 million by 1980, when it moved off of campus. (Kauffman remains the proud holder of an account number in the low double digits.)

Kenton Brubaker’s two-digit account number –��between Kauffman’s and Horst’s – at the credit union gives him away as another early denizen of the science center. A 1954 grad of EMU, Brubaker returned as a horticulture and botany professor well before the science center was built. Up in the old science department, in the Ad Building basement, Brubaker secured grant funding to buy a gas flow analyzer capable of detecting Carbon-14 beta particles. With Brubaker’s help, another colleague, Merle Jacobs, used the tool to examine the low reproductive fitness of homozygous ebony Drosophila fruit flies. The resulting paper – “Beta-Alanine Utilization of Ebony and Non-ebony Drosophila melanogaster” [Science 139 (1963): 1282-1283] – was likely the first science research published in a major journal by EMU faculty.

Jacobs soon left for a job at Goshen College, and Brubaker was in the first wave of professors to work and teach in the new science center. The greenhouse had an automatic ventilation system – a big deal at the time. The planetarium was another big-ticket item. The whole building was exciting and new and fantastic. No sooner had the science department moved in then did Kauffman begin writing grants for other exciting gadgetry. A gas chromatograph and a UV-visible spectrophotometer were among the early acquisitions, allowing for undergraduate chemistry research that has continued ever since. (Students now enjoy research opportunities in a variety of science fields, usually collaborating with faculty.)

AHHH, THE MEMORIES, THE LEGACIES!

By the time Todd Weaver, of SC 106 chemical hood ambush fame, arrived on campus to pursue pre-medical studies, Daniel Suter was approaching the very end of his years on the EMU faculty. On his first visit to Suter’s office for an advising appointment, Weaver learned that Suter had also been Weaver’s father’s pre-med adviser years earlier, and they had corresponded for years while Weaver’s father was in medical school.

Between his graduation and the start of dental school, Weaver got married to Anne Kaufman ’88. Suter – then recently retired – and his wife, Grace were in attendance, and presented the Weavers with an end table.

Suter passed in away in 2006. The next year, Weaver was elected president of the Mennonite Medical Association; joining him in the leadership of the organization was Janice Showalter, the daughter of Daniel and Grace Suter.

“Life feels like it circles sometimes, especially in a community like EMU,” says Weaver.

The end table that the Suters gave him has moved with the Weavers from house to house since dental school. It remains a treasured possession that has been relocated every time in the family car rather than the moving truck, and it largely owes its prominence to the many people and memories that have and continue to inhabit the Suter Science Center.

— Andrew Jenner ’04

For the past 30 years EMU alumni reunite to banter, share familial updates, and participate in an annual fantasy baseball league, “Shenandoah’s Major Minor League.”

“It’s great to see guys come back and the continuity we’ve had in the league has kept the energy up,” said Clair Mellinger ‘64, professor emeritus of and one of the longest tenured members of the league.

Watching the box scores

Fantasy baseball is a predominantly online game where statistics accumulated by all Major League Baseball players are tracked. Points are awarded in one format of fantasy baseball, Rotisserie, while the other format, Head-to-Head, tallies the total number of statistics in any one category, with the highest or lowest number winning, depending upon the rules, according to .

“Having statistics available online makes it more efficient and keeps everyone involved on a daily basis, compared to when we had to snail mail everything and not receive updates for weeks,” said Tom Baker ‘81, former EMU men’s basketball coach and current physical education teacher at Lacey Spring Elementary School.

The EMU alumni draft features an auction system where players are selected based on dollar figures. While no actual money is exchanged for rights to the player, the auction-style bidding lends itself to “heckling on a price of a player and the possibilities to acquire a talented player,” says Mellinger.

“Shenandoah’s Major Minor League”

For Shenandoah’s Major Minor League, connections go deeper than a love of statistics. Eleven of the 12 “owners” either attended, graduated or taught at EMU. Several members were students when the league began in 1982.

The composition of the league members changed from year to year until the early 90’s when a majority of the current group joined. Some teams have co-owners, while others are run by a single member.

“We’re a core group of guys who just love baseball,” said Ted Swartz ’89, MDiv ’92, a professional comedian who is one of the leagues’ longest tenured members.

The league holds the annual draft on campus in April. Most members live around the Harrisonburg area. Brian Hill ‘92, MD, a urologist with Urology Specialists of Atlanta, LLC, has the farthest drive to attend the league draft, making an eight-hour commute.

In addition to Mellinger, Swartz, Baker and Hill, other league owners include: Ian Swartz (son of Ted); Mark Deavers ‘89; Phil Lehman ‘89; Lawson Yoder ‘91; Jeremy Nafziger ‘91; Rob Roeschley (former EMU baseball coach); Gary Messinger; Doug Friesen ‘91; and Mike Yoder ‘91.

Ron Vogt, the owner not personally connected to EMU, got connected when he worked with Doug Friesen at Philhaven Hospital in Mount Gretna, Pa.

Previous members of the league include John Horst, professor emeritus of physics, Jon Kauffman-Kennel, former manager of EMU’s public radio station, and Bill Hawk, former academic dean.

“Getting involved with the league renewed my interest in baseball, especially the National League,” said Mellinger. “I really enjoy the research involved in getting prepared for the annual auction.�� I have read more baseball-related books and web articles than I should have in the past 20 years but it has been a very good source of entertainment and relaxation for me.

“It’s been great to keep connected and share a love for baseball.

John L. Horst, Ted Grimsrud and Jim Bishop produce and host weekly programs on public radio station WEMC, 91.7 FM. They do it on a volunteer basis because they believe there are sufficient numbers of people hankering for their special brands of music.

And, while they acknowledge that their programs appeal to a “niche market,” they get enthusiastic listener response to shore up their conviction.

“Mostly Mennonite, Mostly A Cappella”

John Horst

Horst, a retired physics professor at EMU, hosts “Mostly Mennonite, Mostly A Cappella,” 8-9:30 a.m. Sundays. He plays blocks of, as the program suggests, mostly unaccompanied sacred choral music by local and nationally-known artists and groups.

Horst draws from years of musical experience, which included singing with the former “Mennonite Hour” radio broadcast’s chorus and male quartet in the mid-1950’s to the mid 1960’s as well as composing. Music from the 15 CD reissues of Classic Mennonite Hour singing often appears on the program.

Listeners on a given Sunday morning may hear groups ranging from local favorites such as the the Eastern Mennonite High School Touring Choir, the EMU Chamber Singers, the Shenandoah Valley Men’s Chorus, the Shenandoah Valley Children’s Choir and local composers Jim Clemens and Brad Lehman. A sampling of contrasting music outside the Mennonite tradition is usually part of each program.

“Friday Night Jukebox”

Jim Bishop

Bishop, who dubs himself a “hopeless nostalgic,” dishes up an hour of dusty discs from the decade of the 1950’s, the “Friday Night Jukebox,” 8-9 p.m. Fridays. The show features straight-ahead rock and roll, street-corner doo-wop harmonies, top ten instrumentals, off-the- wall novelties and sock hop specials with artists as diverse as Chuck Berry, Perry Como, the McQuire Sisters, Marty Robbins, Duane Eddy and Little Richard who shared the charts during this era.

The last 15 minutes of the show every week is devoted to unabashedly romantic tunes to watch the submarine races by. Requests and dedications are welcomed by calling 432-4211.

Bishop also teams up with WSVA radio personality Jim Britt for the monthly “Warped Records Show,” a two-hour montage of, as the title suggests, weird, wacky tunes that were once stables of radio but today don’t “fit” any station genre, 10 a.m.-noon, usually on Thursday. The show will feature warped holiday tunes twice in December – on the 8th and 23rd of the month.

“I’m not aware of any commercial radio station anywhere doing a program like this one,” Bishop notes. “Even WSVA doesn’t know what to make of the avid listener response.”

“Wavelength”

Ted Grimsrud

Rumor has it that if Ted Grimsrud’s CD collection was laid end-to-end, it would stretch from Harrisonburg to Hinton – maybe even Rawley Springs.

Dr. Grimsrud, professor of Bible and religion at EMU and – yes, he’s a rockin’ jock PhD – is host of “Wavelength,” 3-6 p.m. Saturdays. He modestly describes the program as “music from the intersection of country, folk, rock and roll, blues and gospel.”

On any given week, one might hear Waylon and Willie, Ray Charles, Bob Dylan and the Beatles followed by the Everly Brothers, Bruce Cockburn, Nina Simeone and Los Lobos – and it “seams” to work.

The Bible prof-music buff even manages a “Wavelength” blog at

About WEMC and WMRA

WEMC, Virginia’s oldest public radio station, founded in 1955, is owned by ��ݮ���� but now managed by the staff of James Madison University’s public radio station, WMRA. WEMC operates out of WMRA’s studios at Cantrell Ave. The station can be heard on-line at .

Robert C. Lehman, professor of physical science

Robert C. Lehman, 79, professor of physical science at EMU from 1955 to 1980, died Feb. 2, 2009, at Rockingham Memorial Hospital. Four days earlier, his sister, Esther K. Lehman, 85, died at Oak Lea, Virginia Mennonite Retirement Community. She was professor emerita of education, having taught at EMU from 1951 until 1982.

Dr. Lehman was born Mar. 22, 1929 in Harrisonburg and was the son of the late Chester K. (C.K.) and Myra Kendig Lehman.

Lehman taught astronomy and physics courses and was director of the M.T. Brackbill Planetarium, 1967-79, in the Suter Science Center.

On June 10, 1954, he married Ruby K. Swartzendruber, who survives. Also surviving are four children – Judith Ann, James Alan, Donald LeRoy and Douglas Chester Lehman – one sister, Dorothy L. Yoder, and four grandchildren, Allison, Eric, Brian and Michael Lehman.

Lehman spent a 1976-77 sabbatical year in designing and implementing and self-initiated projects and programs to raise the energy conservation consciousness-level on campus.

He installed a monitor in the Suter Science Center where anyone interested could see real-time graphing of the peaks and valleys of the college’s daily energy demands. Lehman’s study prompted the administration to repair steam lines that were losing heat in the winter, modify heating and cooling systems to be more efficient, change some lighting to use less electricity and invest more in energy-saving maintenance. The result was a $66,000 reduction in utility costs in a single year.

The EMU board of trustees gave Lehman a “resolution of appreciation” for his energy conservation efforts. During his tenure, he also led continuing education classes and seminars on solar energy alternatives.

“Robert was always an innovative strategic thinker with basic competence in many areas,” said John L. Horst, professor emeritus of physics at EMU. “In many ways he was my mentor.

“Robert was a good bass singer,” Horst noted. “He sang with the Park View Melodians as a high school and college student here. The group traveled widely during some summers.”

In 1970, Lehman was named president of Homes Foundation, a local non-profit group that developed housing for low- and moderate-income families. He was co-founder and first president of the Park View Federal Credit Union and was an amateur radio operator.

A 1950 EMU graduate, he earned a master’s degree in physics and a doctorate in biophysics from Penn State University.

He was a member of Park View Mennonite Church, where a memorial service will be held 3 p.m. Feb. 16.

Memorial contributions can be made to Mennonite Central Committee, Akron, Pa., and the Summer Peacebuilding Institute (SPI) at EMU.

John L. Horst, professor emeritus of physics at EMU, recently salvaged from storage a large chart depicting "principles of electromagnetic radiations," dated 1938. Horst taught at EMU from 1967 until retiring in 2004.

John L. Horst examines the framed principles of electromagnetic radiations chart that now hangs in the Suter Science Center. A photo from 1943 of students in M.T. Brackbill’s physics lab is displayed to the left of the chart. (Photo by Jim Bishop)

According to Horst, the 3 1/2-foot by 5-foot "elegantly complex" poster originally hung on the wall behind the lecture deck of the late M.T. Brackbill’s "creative, quirky" physics classroom in the basement of the old administration building.

Brackbill taught science and many other courses at EMU from 1919 to 1956. He died in 1963.

Edited by Nobel Prize Winner

The chart was edited by Arthur H. Compton, who shared the Nobel prize in physics in 1927 for the Compton Effect, a scattering experiment that demonstrated that x-rays are photons that have quantum particle properties. He later showed that cosmic rays are photons from deep outer space.

A sidenote: Compton’s mother was a Mennonite from Ohio. He attended Bluffton (Ohio) College (now University) for a year in the early part of the 20th century.

The chart moves the observer from top to bottom with "a flurry of ideas, depicting how various parts of the spectrum are generated," Horst noted.

"Many applications – from astronomy, chemistry, engineering, medicine and physics – are part of the spectrum, with everything related to existing technologies of 1938," he said.

Physicist James Maxwell first described the wave theory of electromagnetic spectrum in the late 19th century. The particle theory of the spectrum emerged with the development of quantum mechanics in the early 20th century.

Modern Look, Striking Colors

"The color scheme is striking and excellent for its day," Horst said. The graphic arrangement is amazing considering the creators had no computer assistance back then."

Horst noted that the chart "wasn’t carefully stored, and the bottom portion had some broken or missing pieces." He credited local craftsman Raymond Shank for his "excellent restoration and framing work." The chart is now displayed on the wall adjacent to the current physics laboratory in EMU’s Suter Science Center.

(Mennonite Mission Network)